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中国艺星网

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写生山水的个人体悟

Sketch of personal landscape




中国艺星网/编发/海羽

Chinese art starnet/spread/sea feather

——陈传席谈韩伟华的作品

Chen Chuanxi wei-hua han's works



    对于韩伟华的画我是熟悉的,他不同阶段的作品我看过不少,我们曾一起去太行山南簏写生,我现场看过他绘画的过程。刚开始画的时候看不出什麽感觉,一段时间之后等到作品完成时再看,我觉得他画面的效果很好,有直接取法自然的鲜活的东西,也有二十世纪以后西画在造型及观念上对他画面的影响。他的画看似在对景现场写生,其实是运用自己的所学、所思、所感在创造着自己的山水图式,这暗合了唐代画家张璪所提出的 “外师造化,中得心源”的艺术创作理论。问过之后我才知道他以前是认真系统地学过油画的,这样一来他就会有油画创作者观察、归纳及处理画面的优势。后来他又在中央美术学院学了美术史,学美术史就必然要对中国画传统进行认真的研究。加上他之前绘画的根底,这对他的创作都是有利的。韩伟华在幼年时即对美术发生兴趣,少年就在故乡获嘉县文化馆接受西画训练,但他从那时起似乎就对中国传统文化更感兴趣了。之后的西学教育一路走来,二十多年后,反而是写意的国画成为了他最终追寻的目标。此间,多年的耳濡目染应该是他国学素养的基础。


      For painting I am familiar with the wei-hua han, different stages of his works I have seen a lot of, we used to go to the taihang mountains south Lu sketch, I watched him painting process. Started painting when you couldn't see what feeling, after a period of time until the work is completed to see, I think he picture effect is very good, is directly determining the nature of living things, there are twenty century after painting on the ideas and images of influence on him. His paintings seem to live in places sketch, is actually use their own knowledge, thinking, and feeling in creating their own landscape pattern, it coincides with the tang dynasty painter Zhang Zao proposed "the heart source outside nature," theory of artistic creation. Asked after I just know he is serious system study painting before, so he will be painting creators to observe, conclude and advantages of the picture. Then he studied in central academy of fine arts, art history, learn art history is inevitable to make a serious study of traditional Chinese painting. Combined with the warp and woof of his painting before, it is favorable for his creation. Wei-hua han at an early age to take an interest in art, namely juvenile huojia county cultural center the newcomer training in my hometown, but from then on he seemed to be more interested in Chinese traditional culture. After the western education along the way, after more than 20 years, it was the Chinese painting freehand brushwork in traditional Chinese painting became his ultimate pursuit of goals. Here, many years of hearing should be his Chinese literacy foundation.





    在平时的艺术创作中韩伟华不墨守陈规,他主张创新。但如果要创新的话,人的智力是有限的,所以要“外师造化”,于是他就到大自然中去写生。在他的故乡太行山南簏,他找到了与心相应的景色。那里曾是五代荆浩、关仝隐居作画的地方,那是人文与自然高度结合的景色,由荆浩时代创造的符合文人审美情趣的荒寒之境与大山大水的全景式构图即诞生于此。由此它们便是符合韩伟华绘画理想景色的粉本。在这样的环境中他面对真山真水当场挥毫,把大的画毡铺在地上,或站或匍匐在丈二的宣纸上就开始用笔写山之气象。刚开始时是用水墨在画,然后水墨和颜色一起上,山形态势与笔墨皴擦浑融多变,性情随景,情景交融,最终画好以后的画面我觉得确实很不错。不错的原因我分析是:韩伟华有西画训练的基础,有对美术史的这种了解,有自小对传统写意文化的衷爱,加上大自然的启发,最终的结果便是他用自己的心和手把他们通通表现出来。此时这样的对景写生从本质上讲已不再是再现模仿,而是更重视主体的抒情与表现,是主体与客体、再现与表现高度统一的结果。他的绘画目前来看和那些墨守传统,或者只用西法,或者只用传统的方法来画画的人的作品相比较而言效果要好的多。当然他还需进一步努力使自己开辟的这个画法再深入下去,达到自我实践与感悟的再超越,将来是大有前途的。


     China and South Korea in the artistic creation of usual WeiHua not conformity, he advocated innovation. But if want to innovate, person's intelligence is limited, so want to "nature", so he went to the nature of the sketch. In his hometown of south Lu taihang mountain, he found the heart and the corresponding view. There have been five generations hongguzi, GuanTong seclusion places to paint, it is a highly integrated humanities and nature scenery, created by hongguzi time conform to the aesthetic taste of literati and desolate and cold in panoramic composition that was born in the mountains and waters. Thus they are conform to the wei-hua han powder this painting ideal views. In such an environment his face true mountain true water, picking up on the spot the large painting shop blanket on the ground, or standing or prostrate on zhang two paper began to pen to write the mountain weather. Beginning with ink in the picture, then ink and color together, yamagata CunCa hun melt changeable situation and painting, temperament with the scene, the scene, after the final draw picture I think is very good. Good reason for my analysis is: wei-hua han have painting training base, with the understanding of art history, there are from other species, to the traditional freehand brushwork in traditional Chinese culture, and nature inspired, the end result was his heart and hand them all. At such places sketching from nature is no longer represent the imitation, but pay more attention to the main body of lyric and performance, is the subject and object, highly unified representation and performance results. His paintings so far and those by traditional, or only lucifer, or only use traditional methods to draw people's work in comparison the effect much better. , of course, he also needs to further efforts to open up the drawing to further achieve self practice and comprehension and beyond, is promising in the future.






    韩伟华,  1977年生于河南获嘉,系唐韩愈39代后人。2001-2002年就读于中央美术学院美术史系研究生主要课程班, 研究方向:当代美术批评。现为北京延和书画院常务副院长、中国美术家协会会员、中国收藏家协会会员、世界收藏联合会理事、北京翰海拍卖当代书画部艺术顾问、清华大学美术学院写意山水画创作班助教、中国人民大学美术学院客座教授、中国艺术研究院中国书法院特约研究员。


    Wei-hua han, born in 1977 in henan jia, tang han yu 39 generations. In 2001-2002 at the central academy of fine arts department of fine arts graduate major programs, research direction: contemporary art criticism. Now the executive vice President of Beijing of drawing and painting, member of China artists association, member of Chinese collectors association, director of the world federation of collection, Beijing HanHai auction of contemporary painting and calligraphy art consultants, freehand brushwork in traditional Chinese landscape painting, an assistant professor of creative writing at tsinghua university academy of fine arts, a visiting professor at renmin university of China academy of fine arts, China art research institute researcher at the Chinese calligraphy institute contributing.





个人展览:


2002年E-219空间韩伟华个人作品展, 中央美术学院; 

 

2003年“直指人心”韩伟华当代艺术展, 北京七色空间;


2006年“意趣”韩伟华作品展, 北京ZG艺术中心; 


2010年“致虚&守静”韩伟华作品展, 上海800艺术区;


2011年“水墨舱”韩伟华作品展, 上海水墨艺术博物馆;


2011年“禅意正浓时”韩伟华作品展, 上苑艺术博物馆;




Solo exhibition:



2002 E - 219 space wei-hua han solo show, the central academy of fine arts;


"Pointing to the heart" wei-hua han contemporary art exhibition in 2003, Beijing seven color space;


"Interest" wei-hua han exhibition in 2006, Beijing mid-december, art center;


2010 "to virtual & assert" wei-hua han exhibition, 800 art district of Shanghai;


2011 "ink tank" wei-hua han exhibition, Shanghai art museum;


"Zen is strong" wei-hua han exhibition in 2011, the yuan art museum;





联合展览:


2009年作品“桌上的记忆”入选第十一届全国美术作品展;


2009-2010年“后文人”:中国水墨双年展林州展区/林州碑林博物馆; 上海展区/上海多伦现代美术馆; 北京展区/北京尚元素美术馆;


2009年“后文人1”,  玛斯德比当代艺术中心, 北京;


2010年“后文人2”,  Ethan艺术中心,美国纽约;


2010年“新境”中国经济新文人水墨邀请展, 北京大学中国经济展厅;


2010年“第二届燕格柏艺术节”水墨单元:“中国方式”, 燕格柏美术馆。


2010年第一届草场地双年展主题展“水墨中的水墨”, 北京;


2010年“来自中国的新水墨”作品展, 美国迈阿密艺术博览会; 


2011年“水墨NO.1”作品展, 上海多伦现代艺术馆;


2011年“第一届水墨文献双年展”中国现当代水墨1978-2011, 上海800艺术区;


2012年“东渡墨象”传承与蜕变:中国当代水墨展, 东京都美术馆


2016年“澄怀”:李翔、张肇达、韩伟华山水画展, 佳沃畅享美术馆



Joint exhibition:


In 2009 work "the memory" on the table in the 11th national art exhibition;


After the 2009-2010 "scholars" : Chinese ink painting biennale exhibition in Lin/museum of the forest of steles in Lin; Shanghai exhibition/Shanghai duolun modern art; Beijing exhibition/Beijing gallery is elements;


Literati after "1", 2009, hamas' Derby contemporary art center, Beijing;


Literati 2 "after 2010", Ethan art center, New York, USA;


"New" in 2010 China's economy new literati ink painting invitational exhibition, China's economy exhibition hall of Peking University;


In 2010, "the second YanGeBai art festival" ink unit: "the Chinese way," YanGeBai gallery.


In 2010 the first theme caochangdi biennale exhibition "ink in ink painting", Beijing;

"From the new ink painting of China" exhibition in 


2010, the United States Miami art fair;

"Ink NO. 1" exhibition in 2011, Shanghai duolun museum of modern art;


2011 "the first ink painting biennale literature" contemporary Chinese ink painting, 1978-2011, 800 art district of Shanghai;


2012 "dongdu ink as" inheritance and transformation: Chinese contemporary ink painting exhibition, Tokyo metropolitan art museum;


"The clear bosom" : in 2016, cheung shang, hanwei enterprise huashan water painting, WoChang at the gallery







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